Who is Nana Yaa Asantewaa? Why was she important? And what is her legacy?

Around 1900, she led the resistance against the troops of the British Monarch as an old woman and, together with the women's brigade she formed, held out for a year in the war for the Golden Stool, the throne and pride of the Asante people in Ghana.

The British had been slaughtering the Asante to gain access to timber, gold and cocoa for years. The industrial revolution in faraway England required resources, many resources, like a hungry beast. For Nana Yaa Asantewaa and her women, the British Monarch’s claiming of the Golden Stool was the last straw. The Golden Stool would not leave the country!

Nobulumko Mngxekeza-Nziramasanga (soprano), Nonkululeko Nkwinti (mezzo-soprano), Doris Bokongo Nkumu, Nathalie Bokongo Nkumu, Abena Biney Gloria, Titilayo Oliha, Saar-Niragire De Groof, Briana Stuart, Maïmouna Badjie and Somalia Williamson sing, act and dance the story of Nana Yaa Asantewaa and her courageous struggle, to the sounds of famous arias from the classical Western opera repertoire – which Gorges Ocloo has appropriated for the occasion. Handel, Bizet, Shostakovich, Verdi, Vivaldi, Beethoven, Orff... they all pass in revue. With this AfrOpera, Gorges Ocloo reveals his roots.

Mixing the Western opera repertoire with African percussion and beats? For that, you need a delightfully unorthodox composer like Gorges Ocloo. In The Golden Stool, or the Story of Nana Yaa Asantewaa, he strikes out on unexpected musical paths.

Charlotte De Somviele in De Standaard , 28 April 2023

"A cracking show with slick production values and a lot of charm and humour. If only all anti-colonial rants were so entertaining."

– Richard Morrison in The Times **** , 15 October 2024

"Ocloo has filled every centimetre of the stage with dance and every cubic meter of the year with sound. As Asantewaa/Mngxekeza-Nziramasanga declared while pointing to the audience: ‘They always told us silence is golden.’ But silent it will no longer be. All the stops are pulled out in this rousing and charming performance that brings to mind what Puerto Rican rapper Residente once said: With Ocloo ‘…you eat, even if you’re not hungry.’"

– Paula Rodríguez Sardiñas in Etcetera , 28 April 2023

"The Golden Stool, or the story of Nana Yaa Asantewaa, est une déclaration extraordinairement puissante qui se sert du répertoire de l’opéra pour enfin raconter des histoires différentes, tellement plus nécessaires et d’orientation non occidentale. "

– Els Van Steenberghe in Knack Focus *** , 5 May 2023

"I just love opera. The melodies are beautiful. But often the orchestration revolves around embellishments that are nothing but repetitions. You might as well leave them out. So, I started turning arias into new compositions. Carmen for instance, but also a piece from Rinaldo by Georg Friedrich Händel. And further away from opera, Ode an die Freude from Symphony No. 9 by Ludwig van Beethoven, plus the famous waltz An der schönen blauen Donau by Johan Strauss and on the other side of the spectrum, Respect by Aretha Franklin."

– Gorges Ocloo

"That new hybridity of theatre, in interweaving performance styles and diverse cultural source material can be very enriching, especially today in the resilience of women of colour. With great care, Ocloo gives a voice to the forgotten strong women who have resisted and also paid an expensive price for it."

– Pieter Verstraete in Theaterkrant , 19 May 2023

"Gorges Ocloo and Saar-Niragire De Groof are guests on Heleen Debruyne's show. They talk about Gorges' journey to Ghana, forgotten stories, and musical choices. Listen to the interview."

– in Pompidou, Klara , 19 April 2023

"Gorges Ocloo is making 'Afropera' for Opera Ballet Vlaanderen. Listen to the interview with Gorges Ocloo."

– in Radio 1, Culture Club , 27 August 2022